Assia noris biography template
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Italian postcard by Rizzoli EC., Milano, XVI. Photo: Pesce.
Italian postcard by B.F.F. Edit, no. A. Photo: I.C.I. / Vaselli.
German postcard by Film-Foto-Verlag, no. G , Photo: Difu.
Five Husbands
Assia Noris was born Anastasia Noris von Gerzfeldin St. Petersburg, Russia, in Her father was a German official, her mother was from Ukraine.
After the Russian Revolution the family fled first to France, then to Italy in That year Assia also married count Gastone dAssia, whose last name she would use as stage name, even if he was only the first of her five husbands.
In Assia Noris made her screen début in Tre uomini in frac/I Sing for You Alone, the Italian version of the French film Trois hommes en habit. Both versions were directed by Mario Bonnardand starred opera singer Tito Schipa.
In she also played in both the French and the Italian version of Bonnards La marcia nuziale/La marche nuptiale(Mario Bonnard, ).
Noris fame, however, is linked to her performances in the comedies by Mario Camerini, with whom she had an affair fr
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File:Assia Noris uninviting Harcourt jpg
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s beauty icon Italian actress Assia Noris
s beauty icon Italian actress Assia Noris
Born 16 February in St. Petersburg, Anastasia Noris Von Gerzfeld grew up in the Russian-German family of wealthy parents. However, like many of the rich compatriots of that time, Asyas parents had to leave Russia after the October Revolution. They settled in France, and Anastasia spent her childhood in Nice, where she graduated from school. Meanwhile, in Anastasia went to Italy, where she began to take lessons in acting. Soon she marries an Italian Gaetano Assia. Thus, Anastasia took her husbands surname as a creative pseudonym, having started acting in films.
She made her debut on the big screen in with a small role in Mario Bonnards comedy Three Men in Thaws. However, the fame came to her in the mids thanks to the films of the director Mario Camerini, who later became the next actresss spouse ( ). In his comedies, which fit into the then fashionable trend in Italian cinema, the so-called Cinema of White Phones actress often acted in the roles of naive young girls, whose love sought by experienced smoothies. Her partners in the films of those years were young even then, but already popular in Italy, Vittorio De Sica (for example, Dame Million, , or &