Bahman ghobadi biography

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  • Bahman ghobadi two trees
  • Bahman Ghobadi was born in 1969 in Baneh, in the province of Iranian Kurdistan, near the Iran-Iraq border.
  • Ghobadi, Bahman (1969–)

    Kurdish Iranian filmmaker Bahman Ghobadi (Qobadi) is the most prominent Kurdish artist working today, and one of a new breed of young Iranian filmmakers who have grown up since the revolution of 1979. His four feature films since 2000 have established him as one of the most respected young filmmakers in the world.

    PERSONAL HISTORY

    Ghobadi, much the best-known of contemporary Kurdish filmmakers, was born in Baneh in Iranian Kurdistan on 1 February 1969, and moved with his family to the provincial capital of Sanandaj in 1983, during the 1980–1988 Iran-Iraq war. An early interest in photography led him eventually to the study of film in Tehran, where he completed several short 8 millimetre films before approaching Iran's most distinguished art film director, abbas kiarostami, who was planning to shoot his next film in Kurdistan. Ghobadi worked as second unit director on this film, The Wind Will Carry Us (1999), and also appeared in a small role. He was also cast by Samira Makhmalbaf, daughter of the famous Iranian filmmaker mohsen makhmalbaf, as one of the itinerant teachers in her second feature, the Kurdistan-set Blackboards (2000). Ghobadi was then able to establish a production company, Mij (Kurdish, "fog") Film to help encourage Kurdish film c

  • bahman ghobadi biography
  • Bahman Ghobadi was born on September 2nd, 1968 in Baneh, a city near the Iran-Iraq border in the province of Kurdistan, Iran. He was the first son in a family of seven siblings. He lived in Baneh until, at the age of 12, civil disputes caused his entire family to immigrate to Sanandaj, the center of Kurdistan Province in Iran. After graduating from high school in Sanandaj, Ghobadi moved to Tehran in 1992. He started his artistic career in the field of Industrial Photography. Though he attended the Iranian Broadcasting College, he never graduated. Rather than following a formal curriculum, he believed the only way he could learn the craft of cinema was by tirelessly making short films. Using 8mm film, his starting point was to shoot a series of short documentaries.

    Through his instinctive and hands-on approach to filmmaking, Ghobadi developed a unique style, soon gaining widespread local recognition. A breakthrough came with “Life in a Fog” (1999), one of the most acclaimed shorts ever made in Iran. Following this success, Bahman Ghobadi went on to make “A Time for Drunken Horses” (2000) – the first feature-length Kurdish film in the history of Iran. In the wake of being awarded several different International Awards, Ghobadi attracted internation

    Bahman Ghobadi

    o.A.

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