Daumier artist biography
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Honoré Daumier
French manager (1808–1879)
Honoré Daumier | |
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Daumier c. 1850 | |
| Born | Honoré Victorin Daumier (1808-02-26)February 26, 1808 Marseille, France |
| Died | February 11, 1879(1879-02-11) (aged 70) Valmondois, France |
| Known for | Painting, sculpture, gift printmaking |
| Movement | Realism |
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Summary of Honoré Daumier
The witty caricatures of Honoré Daumier made him one of the most widely recognized social and political commentators of his day and even landed him in jail for insulting the reigning monarch. Daumier's caricatures stand out as his most successful works, yet he remains unrecognized for the impressive diversity of his art as he produced not only the lithographs for which he is famous but also drawings, oil and watercolor paintings, and sculpture. Daumier pioneered a style of Realism that focused on people of all echelons of society and spared few, with the exception of the working class and the poor, from his sharp wit and scrutinizing eye. He lived in Paris during a period of political and social unrest, which included two revolutions as well as frequent regime changes, a war, and a siege. Many of his works confronted the complex social, political, and economic consequences of the turmoil. Perhaps his greatest contribution to modern art was his ability to capture even the simplest moments in life and infuse them with emotion.
Accomplishments
- Daumier's painting style echoes that of Francisco Goya, Eugène Delacroix, and Théodore Géricault with its loose, expressive brushwork. Eschewing the controlled and polished surfaces of Neoclassical painting,
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Honoré Daumier Biography
Considered one of the most prolific printmakers during the 19th century, Honoré Daumier was also heralded as a French caricaturist, sculptor, and painter. Born in Marseille, Daumier moved to Paris when he was 8 to follow the literary aspirations of his father, Jean-Baptiste Louis Daumier. Even at this young age, Daumier showed interest in the arts and became an understudy to a friend of his father’s, Alexandre Lenoir. Lenoir dappled in archaeology and art history and intensely captured Daumier’s fascination and curiosity.
Your browser may not support display of this image.By 1822, he entered the Académie Suisse to pursue the arts and eventually worked for lithographer and publisher, Belliard. From here, he was also contracted by music publishers to create various prints featuring a variety of musical instruments. Beyond printmaking, Daumier also ventured into the world of caricature arts and political satire. He was very involved and highly recognized in the Parisian political scene during the mid-1800s for his interesting take on the major figures and rulers of his time.
In addition to his print lithography and political cartoons, Daumier was known to herald a painting movement known as naturalism which featured his subjects in lush, “nat