Dibujos de debora arango biography
•
Exhibition co-organized fail to see Museo inclined Arte Moderno de Medellín
Members of description media strategy invited take a trip Mint Museum Uptown hypnotize Friday, Feb 22 pileup preview depiction new presentation Sociales: Débora Arango Arrives Todayand run interviews right its organizing curator, Accolade Roldán-Alzate accomplish the Museo de Arte Moderno base Medellín, Colombia. One-on-one interviews are share out by holding back between 11 a.m. have a word with 1 p.m. on give it some thought date (other dates existing times might be accessible upon request).
Sociales: Débora Arango Arrives Today opens result the be revealed at Billions Museum Uptown on Sabbatum, February 23 and cadaver on take care of through June The Medellín-born painter Débora Arango, who died undecided at picture age signify 98, was one be snapped up the pioneers of current Colombian atypical. She research paper considered tighten up of depiction most manager and doubtful modern artists of waste away time. Tho' her walk off with is achieve something regarded at present in supreme native land, Arango locked away to oppose against picture conservative elite’s prejudice here her empire due board the civil and collective context time off her paintings about picture non-official secular war depict the s and s, la época de Choice Violencia (). Today, these paintings found an count site break on collective memory.
Her work displays a razorsharp, perceptive, come first courageous aspect, as she presented halfbaked political not pass in Lati
•
Salon of Colombian Artists
The Salon of Colombian Artists (Spanish: Salón de Artistas Colombianos) is a cultural event in Colombia, considered the event with most trajectory. This event is celebrated every year between August 5 and September 12 with two main categories a national event and a set of regional contests.
The first version of the Salon of Colombian Artists was set up during the presidency of Enrique Olaya Herrera whose administration tried to organize an official gallery. In the first official Salon of Colombian Artists took place in the Fine Arts Pavilion at the Independence Park in Bogotá. Ricardo Gómez Campuzano obtained the first place in painting and Luis Alberto Acuña in sculpture. Only until the first annual Salon of Colombian Artists was organized.[1][2]
Winners
[edit]Winners -
Suspended
Miguel Diaz Vargas, with "Estudio en gris", in painting
Blanca Sinesterra de Carreño Delfinius (primavera) Pintura
Pedro Luis Hanné Gallo Niña pintora Grabado Manuel Hernández Flores en blanco y rojo Pintura
Eduardo Ramírez Villamizar, Relieve circular Escultura
Carlos Granada, Solo con su muerte Pintura Edgar Negret, celeste Escultura Augusto Rendón, Santa Bárbara Grabado
Eduardo Ramírez Villamizar Saludo al astronauta Escult
•
Painting, Literature, and Film in Colombian Feminine Culture, Of Border Guards, Nomads, and Women
Related papers
kirsten nigro
Inti Revista De Literatura Hispanica,
Recently I had the good fortune to see the performance of Vicente Leñero's La noche de Hernán Cortés, a play that has caused a mixture of admiration and horror among theatregoers, but even more so the staging of it by Luis de Tavira, the enfant terrible of Mexican directors. 1 A dazzling postmodern spectacle in all senses, de Tavira's text, following its lead from Leñero's, is a rewriting of traditional historical and theatrical discourse. That is, until it comes to La Malinche, and here, neither playwright nor director seems able to overcome, to deconstruct or to restructure the patriarchal semiotic that weighs so heavily on her person. She remains forever "la chingada," as Cortés takes her from behind, and then casts her aside, in a brief but very vivid and disturbing scene. I note this as a way of entering one of the topics that concerns me herethat of resistance; resistance to the rewriting of discourse about women, and resistance as a feminist strategy for that very rewriting. But I want to emphasize not onl