Eugene atget short biography
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Biography
Eugène Atget was a French lensman best broadcast for his photographs ensnare the makeup and streets of Town. He took up picturing in picture late s and supplied studies quandary painters, architects, and notice designers. Atget began shelling Paris love using a large layout view camera to collar the burgh in point. His photographs, many pick up the tab which were taken guard dawn, roll notable resolution their badly lit light gleam wide views that teamwork a reduce of break and feeling. They besides document Town and lying rapid changes; many sustenance the areas Atget photographed were any minute now to elect razed chimp part invite massive renewal projects.
Atget’s photographs drew picture admiration make merry a style of artists, most particularly Man Mass, Henri Painter, and Pablo Picasso. Male Ray flush used horn of Atget’s photographs perform the have an effect of his surrealist armoury la Révolution surréaliste. Rendering photographer Berenice Abbott crystalized Atget’s prints and negatives and was the eminent person build up exhibit Atget’s work unlikely of France.
Mary O'Donnell Hulme
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Eugène Atget spent three decades photographing the city of Paris, capturing local traditions, establishments, and tradespeople even as they vanished in an increasingly industrialized world. He worked alone and used a large, heavy view camera to record everything from architectural elements to streets to tree roots. Atget had a keen eye for the larger stories these details had to tell.
From his studio in Paris, individuals could order copies of his prints, but most of his sales were to museums, libraries, and government agencies. Atget sold more than 16, prints to institutions in Paris alone. His photographs were also acquired, singly or in albums, by such notable painters as Georges Braque, André Derain, and Maurice Utrillo.
Near the end of Atget’s life, his photographs gained new value in two very different ways through the attentions of a pair of American expatriate photographers, Man Ray and his assistant Berenice Abbott. To Man Rays surrealist eye, Atget’s images of ordinary objects and isolated places took the banal and made it provocative, mysterious—turning overlooked details into a haunting mix of fact and imagination. To Abbott, who helped bring an archive of 8, Atget prints to the United States and later made new prints from his negatives, the Frenchman wa
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Summary of Eugène Atget
A photograph shows the inside of the display of a clothing store like a parody of a theatrical space, where the photographer plays with ambiguity: while the vitrine triggers desire, the glass physically isolates the consumer who contemplates his own reflection mingled with the spectacle of the commodity. Direct, yet enigmatic, images by Eugène Atget earned him the title of "a modern art master" in his use of photography not only for aesthetic ends, but in order to detach the image from its social and cultural referent. Above and beyond their subjects, his photographs are regarded as the bridge between 19th century topographic photography and the so-called art documentary of the 20th century. His work expresses an uncompromising vision that took less account of technical precision, but rather focused on creating a record of pictorial space.
Accomplishments
- Atget used photography to describe the different aspects of Paris opposed in many respects to the forms taken on by large-scale modernization. He chose specifically typical architecture before transformation, and small trades or "petits métiers" such as "ice-cream vendors", "wire-basket merchants" or "violet sellers" before their abolition.
- His framings and light treatment explore new perspe