Georges seurat mini biography examples
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Georges Seurat (1859–1891) and Neo-Impressionism
Neo-Impressionism is a term applied to an avant-garde art movement that flourished principally in France from 1886 to 1906. Led by the example of Georges Seurat, artists of the Neo-Impressionist circle renounced the random spontaneity of Impressionism in favor of a measured painting technique grounded in science and the study of optics. Encouraged by contemporary writing on color theory—the treatises of Charles Henry, Eugène Chevreul, and Odgen Rood for example—Neo-Impressionists came to believe that separate touches of interwoven pigment result in a greater vibrancy of color in the observer’s eye than is achieved by the conventional mixing of pigments on the palette. Known as mélange optique (optical mixture), this meticulous paint application would, they felt, realize a pulsating shimmer of light on the canvas. In the words of the artist Paul Signac, Neo-Impressionism’s greatest propagandist, “the separated elements will be reconstituted into brilliantly colored lights.” The separation of color through individual strokes of pigment came to be known as Divisionism, while the application of precise dots of paint came to be called Pointillism.
The art critic Félix Fénéon first used the term Neo-Impress
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Summary of Georges Seurat
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Accomplishments
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Georges Seurat
French painter (1859–1891)
"Seurat" redirects here. For the surname and other people with it, see Seurat (surname).
Georges Pierre Seurat (SUR-ah, -ə, suu-RAH;[1][2][3][4][5]French:[ʒɔʁʒpjɛʁsœʁa];[6] 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.
Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind.[7] His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting.[8]
Biography
[edit]Family and education
[edit]Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.[9] His father, Antoine Chrysostome