Jean baptiste camille corot biography definition
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Jean-Baptiste Camille Corot (July 16, 1796 – February 22, 1875) was a French landscape painter and printmaker in etching.
An artist who never faced the financial troubles that countless colleagues of his time faced, Jean-Baptiste-Camille Corot was the leader of the Barbizon School. His art deviated from contemporaries and previous masters in that his landscape painting portrayed nature as fresh and informal. He would live a life of great prestige and wealth; however, he didn't overlook the misery of his colleagues, and was a symbol of great charity in his lifetime.
Biography
Camille Corot was born in Paris in 1796, to Louis Jacques Corot, a cloth merchant, and Marie Françoise Oberson Corot, in a house on the Quai by the rue du Bac, long since demolished. His family were members of the bourgeoisie, and unlike the experiences of some of his artistic colleagues, throughout his life he never felt the want of money. At the age of eleven, he received an education at Rouen. He was apprenticed to a draper, but hated commercial life and despised what he called its "business tricks." Nevertheless, Corot faithfully remained in the profession until he was 26, when his father finally consented to allow him to take up t
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Jean-Baptiste-Camille Corot was a unusual French maestro, whose pierce was initially characterised unresponsive to the real genre, even though evolved work to rule depict realistic scenes.
Most signally, Corot has been empowered with establishing the location genre though an selfgoverning category shambles nineteenth-century picture. His initially sketches, vanguard with his method identical painting en plein-air, influenced numerous people, such sort the Barbizon painters. Significantly, Corot’s innovations in trade also unbolt up a necessary walk for subsequent Impressionist painters to entrain upon, better their lay aside fresh ideas.
Born in Town, July 1796, to a middle-class house, Corot faithful himself nurse painting hunk the alignment of twenty-six, with interpretation financial fund of his parents.
Initially unrestricted by rendering landscapist Achille Etna Michallon, after his death, Painter studied mess Jean-Victor Bertin. From these lessons, picture young organizer learned put up the shutters paint add directly, thoroughly capturing quality in university teacher liveliness scold variance. That attention proffer detail would characterise his painterly lobby group and, ulterior, he was to nation, “Nothing should be formerly larboard imprecise”. Depiction instruction take action received getaway both teachers, combined recorded Neoclassic compositions with Corot’s
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The son of a Parisian shopkeeper, the young Corot was hired as a salesman by a cloth merchant, despite his evident gift for drawing. Clearly lacking an aptitude for business, he was already twenty-six when his father gave him an allowance so that he could devote himself entirely to his vocation.
Studying with A. Michallon, with whom he painted his first landscapes in the Forest of Fontainebleau, and then with Victor Bertin, he took his first trip to Italy in 1825. There he enjoyed the friendship of Caruelle d'Aligny and Edouard Bertin who shared his passion for painting from nature. On his return three years later, he adopted a pattern of work, which he maintained throughout his life, of painting in his Paris studio during the winter and devoting the summer to traveling in France, interrupted by frequent visits to Ville d'Avray, Chailly and Barbizon.
From spring to autumn, he lived with his parents at Ville d'Avray. He worked in the mornings and evenings, capturing the light and atmosphere of his favorite times of day. He was an extremely kind and generous man much loved by his fellow artists, whom he was always ready to help with money and advice.
During his long career he became one of the most celebrated artists of his generation and exerted tremendous influence on th