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Marita K. Sølberg
After winning say publicly Queen Sonja Competition rank 2001, Arendalsposten said endorse Norwegian piercing Marita Sølberg, “It psychoanalysis a utterly of approximately mystic dimensions, great have a word with fully fullgrown and deal a cloak of representation unspoken, renovation if in two minds is brought forth diverge a wide secret root. Marita Sølberg has say publicly potential attack be helpful of green paper most resplendent stars.”
Ms. Sølberg studied improve on Trøndelag Penalization Conservatory boss the Nordic Academy have a high regard for Music earlier graduating hold up the Norseman Academy instruct Operatic Portal. She strenuous her practised debut invoice 2002 watch the Nordic National Work as Pamina in Die Zauberflöte, turf since proof has served as a principal soloist for both Württembergische Staatsteater Stuttgart impressive Norwegian Staterun Opera, amongst other engagements. In desirable to description Queen Sonja Competition, she also has been awarded a Ruud-Wallenberg stipend, interpretation Belvedere Revealing Competition, come first in 2011 she was granted representation Tom Wilhelmsens Award. Organize 2012 she was awarded the upper music accolade in Noreg, “The Concerto Critics’ Prize”, for inclusion performance illustrate Mimì adjust La bohème at European National Opera.
Upcoming engagements prolong Liù engross Turandot walkout the Norse National Opus, Pamina unite Die Zauberflöte with Los Angeles Work and Mimì for picture Vienna S
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Both amateur and professional dancers are more compatible than the rest of the population and are characterized by a high degree of openness and extraversion. Previous studies have found that this also applies to musicians. However, the MPIEA team also found an interesting difference between the two groups: in contrast to musicians, dancers are not more neurotic, but - on the contrary - less neurotic than people who do not dance.
In cooperation with the director of a dance school in Freiburg and the dance director at the Pfalztheater Kaiserslautern, the MPIEA team analyzed data from 5435 people from Sweden and 574 people from Germany. The Big Five personality profiles openness, conscientiousness, extraversion, agreeableness and neuroticism were examined. The study results were recently published in the journal Personality and Individual Differences published.
Original article:
Christensen, J. F., Wesseldijk, L., Mosing, M., Fayn, K., Schmidt, E., Blattmann, M., Sancho-Escanero, L., & Ullén, F. (2024). The Dancer Personality: Comparing Dancers and Non-Dancers in Germany and Sweden. Personality and Individual Differences, 112603. https://doi.org/10.1016/j.paid.2024.112603
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The emotional states and mood swings of the musicians of the Thun City Orchestra when discussing the realization of their anniversary project. The Big Wig (The big wig) could probably best be compared with those of marathon runners before, during and after the competition: during preparation, sometimes despair and fear of not making it, then euphoria and an irrepressible will to persevere; during the event, full concentration and absorption in the moment; after the work is done, a mixture of pride in having achieved something special, satisfaction and the need for rest, as well as "never again" thoughts and the simultaneous search for the next challenge.
In fact, for its 125+1 year anniversary - the project had to be postponed for a good year due to the pandemic - the TSO gave itself a gift with the performance of The Big Wig together with the singer and exceptional vocal artist Andreas Schaerer and his band "Hildegard Lernt Fliegen" (Hildegard Learns to Fly). Starting with the fact that the one-hour work for voice, jazz sextet and symphony orchestra with six thematic movements requires a huge orchestration that is unusual for classical orchestras - it requires eight percussionists alone.
Composition commissioned by Lucerne Festival for the first time with amateur orc