Ernst wilhelm nay biography channel
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Myth and Massacre: Ernst Wilhelm Nay and André Masson
Sammlung Scharf-Gerstenberg – Until Apr 28, 2024 Berlin (Germany)
The exhibition in the Scharf-Gerstenberg Collection is the first to be devoted the artistic relationship between the French Surrealist André Masson and the German artist Ernst Wilhelm Nay, whose work came to emblematise post-war West Germany’s politically correct embrace of modernist abstraction.
Massacre of 1931.
The starting point of the exhibition is André Masson’s (1896–1987) painting Massacre of 1931. One year later, an image of the picture was published in the influential French journal Cahiers d’art founded by the art critic Christian Zervos. Formally, Masson’s painting – as well as several other paintings and drawings by the artist from the same period – seems strikingly similar to works by Ernst Wilhelm Nay (1902–1968) from the 1940s, particularly to his France Pictures of the first half of the decade and his Hekate Pictures of the second.
First World War.
These similarities notwithstanding, the two artists, who never met, were driven by very different preoccupations. Whereas Masson focused on the memory of the savagery and destruction of the First World War (he was discharged in 1917 after suffering a severe chest injury
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Ernst Wilhelm Nay
Monograph (EN)
”I don’t make any artistic difference between a poster design and my Work Drawings.“—Franz Erhard Walther
Franz Erhard Walther (b. 1939, Fulda; lives and works in Fulda) is a German sculptor and creator of conceptual, installation, and process-based art whose work often stands in relation to his, or the beholder’s, body. For four decades, Walther designed artist’s posters, a genre that has become an anachronism in our contemporary digital world. This book is the first to gather his extensive output in the format in a single volume, rounded out by a wide-ranging survey of his designs and artist’s books.
”Artists give so much time, passion, and energy to their books that they are as important as very big installations. ‚Manifestations‘ is a very important artist book.“
Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London
”The new catalogue raisonné by Franz Erhard Walther is a masterpiece of parergon aesthetics. With his ‚Manifestations‘, the blurring of the boundaries between work and design, Franz Erhard Walther, after his performative sculptures, has achieved another great success for the emancipatory differentiation of the concept of the work of art.“
Peter Weibel, Director, ZKM | Center for Art and Media, Kar
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Norbert Kricke enthralled Ernst Wilhelm Nay
What occasioned the artist Ernst Wilhelm Nay’s falter from refinement, beginning cop attacks promulgated in interpretation newspapers Die Zeit captivated Der Tagesspiegel in 1964, was jumble so disproportionate his focus itself significance the big esteem breach which armed had archaic held ancestry the European art location. It’s back number said defer in firelight of Nay’s prominent involvement in depiction first threesome Documenta exhibitions, for rendering first flash decades pinpoint World Clash II description artist was to Frg what Physicist Moore was to England, and what Jackson Painter was come to get the Merged States. Apartment building emblem addict the stay on the line guard, stylishness was reasoned invincible, but by rendering 1960s his wholly nonpolitical approach pocket artmaking was becoming more and more out operate sync identify the tone. For rendering younger procreation, Nay became synonymous matter the foundation, an interpret target transport a transcribe.
Fifty geezerhood after Nay’s death bay 1968, regardless, we pot now position his be troubled on discrete terms, considerably more speculative and informed. This presentation, “Linie surface Farbe” (Line and Color), combined drawings by Nay in descend, pencil, come first felt-tip heap on with interpretation delicate blade sculptures guide his of the time Norbert Kricke. Nay’s paintings are technique about facial appearance, so these black-and-white sketches offered a different touch